'Sweet White' Meiping with Cloud Collars
明永乐甜白釉暗花梅瓶
A Yongle imperial meiping in tianbai (甜白, 'sweet white') glaze: a milky white porcelain so pure that the Yongle emperor used it for ritual offerings on the imperial altar. The decoration is incised into the body so faintly you only see it when light catches the surface — the so-called anhua, 'hidden decoration'.
Object Facts
- Period
- Ming dynasty, Yongle reign (1403–1424)
- Date
- 1403–1424
- Medium
- Porcelain with incised 'hidden decoration' (anhua) under tianbai 'sweet white' glaze
- Dimensions
- H. 32.1 cm; D. 20.3 cm
- Held by
- The Cleveland Museum of Art
Cleveland, USA - Accession
- 1964.167
Cleveland Museum of Art — John L. Severance Fund

Why it matters
Tianbai is one of the most demanding glazes ever fired at Jingdezhen, requiring a refined kaolin body and exact reduction firing. The Yongle emperor — patron of Zheng He's voyages and of the Forbidden City itself — made these vessels the symbol of his dynasty's purity.
How it travelled
Likely exported through Beijing in the early 20th century. Acquired by the Cleveland Museum in 1964 via the John L. Severance Fund.
Frequently asked questions
Where can I see 'Sweet White' Meiping with Cloud Collars?+
'Sweet White' Meiping with Cloud Collars is held by the The Cleveland Museum of Art in Cleveland, USA. Accession number 1964.167. Online catalogue record: https://clevelandart.org/art/1964.167.
When was 'Sweet White' Meiping with Cloud Collars created?+
'Sweet White' Meiping with Cloud Collars dates to 1403–1424, during the Ming dynasty, Yongle reign (1403–1424).
What is 'Sweet White' Meiping with Cloud Collars made of?+
'Sweet White' Meiping with Cloud Collars is a meiping vase executed in porcelain with incised 'hidden decoration' (anhua) under tianbai 'sweet white' glaze, measuring H. 32.1 cm; D. 20.3 cm.
How did 'Sweet White' Meiping with Cloud Collars end up at the Cleveland Museum?+
Likely exported through Beijing in the early 20th century. Acquired by the Cleveland Museum in 1964 via the John L. Severance Fund.
Can I reuse the photograph of 'Sweet White' Meiping with Cloud Collars?+
Yes. The Cleveland Museum has released the image under Creative Commons Zero (CC0), so it is free for any use, commercial or non-commercial, with no attribution required (though attribution is appreciated).
More Chinese pieces at Cleveland Museum
Other Chinese works in the The Cleveland Museum of Art collection.

Northern Song dynasty · Paintings
Buddhist Retreat by Stream and Mountains
溪山兰若图
A towering ink mountain dominates the composition, capped with the round 'alum-head' boulders and wet ink dots that became Juran's signature. The Buddhist hermitage at the foot of the cliff is almost hidden — the point is the immensity of nature, not the human dwelling.

Southern Song dynasty · Paintings
The Knickknack Peddler
货郎图
A tiny silk album leaf packed with detail: a peddler's two enormous baskets bristling with hundreds of toys, fans, brushes, and skull-shaped trinkets, while children attack a snake nearby. Painted in 1212 for the Southern Song court of Emperor Ningzong.

Southern Song dynasty · Paintings
Cloudy Mountains
云山图
Mi Youren painted this handscroll in 1130 to thank a host who had sheltered him after the Jurchen invasion drove the Song court south. The mountains dissolve into mist; the brushwork is built almost entirely from layered wet dots — the famous 'Mi-dots' pioneered by his father, Mi Fu.
From the same era
Other treasures abroad sharing themes or period with this work.

Tang dynasty · Paintings
Night-Shining White
照夜白图
The single most celebrated painting of a horse in Chinese art. Han Gan's ink drawing of Emperor Xuanzong's favourite charger, 'Night-Shining White', has been treasured by collectors for over 1,270 years — its scroll is covered end to end in colophons and seals of the emperors, scholars, and dealers through whose hands it passed.

Ming dynasty, Wanli mark and period · Ceramics
Dish with Dragon and Phoenix
明万历五彩龙凤纹大盘
An imperial Wanli wucai ('five-colour') dish, bearing the reign mark of one of the Ming dynasty's most profligate emperors. A five-clawed dragon (the emperor) and a phoenix (the empress) circle one another in a conventional symbol of imperial harmony.

Ming dynasty, Jiajing mark and period · Ceramics
Jar with Carp in a Lotus Pond
明嘉靖五彩鱼藻纹罐
A masterpiece of Jiajing wucai porcelain: carp gliding through tangled lotus stems, painted in five overglaze enamels above an underglaze cobalt outline. The carp (鲤, lǐ) puns on profit (利) and is one of the densest auspicious symbols in Chinese decorative art.